If they are not in the public domain, notify me and they will be deleted. I encourage you to reach out to them if you are so inclined. Additionally, while I tried to put together a collection that contains the best version of each episode that I could, there may be better copies of some recordings available from collectors and dealers, and I will add to these collections if I discover new episodes or if any new episodesīecome available. These recordings have been acquiredįrom publicly available sources on the Internet, and my goal has been to put together a collection of every available episode where possible. Note: There is only 25 episodes availableĭisclaimer: By uploading these files, I make no claim to ownership or copyright. Particularly if you enjoy the 15 years (1930 - 1945) which encompassed that wonderful Big Band Era. I am thrilled to be able to share these 41 sessions with music lovers. Listen to this and millions more tracks online. Download On The Floor EP by Fosky/Anthea at Juno Download. We did 41 of these programs before illness forced him to give up his program. Download On The Floor EP by Fosky/Anthea at Juno Download. The program for him using the Minidisk technology then in vogue. I agreed to provide a lot of the recordings on vinyl and to panel We got to talking and I suggested that we should record this program and it could be archived and re-broadcast. He initially presented his "Salute to the Renowned for his ability to infuse intense energy into his sets whilst still nurturing a natural and easy flow, Fosky has garnered a reputation as a truly unmissable DJ.A Collection of Aussie Radio Shows No 165Īround the year 2001 Jim Cummins (Deceased) presented a regular three hour program on a Community Station that I was involved with. His penchant for rhythmic complexity and poignant, sweeping melodies are a constant throughout Fosky’s productions which were later to go on and grace prestigious labels such as Steve Lawler's Viva Music, Carl Cox’s Intec and more for Crosstown Rebels.Ī complete DJ with a seemingly innate understanding of his dancefloor, highly adept technical nous and a wide-ranging collection of essential records, Fosky has been blowing away the crowds at festivals and clubs around the world since 2010. Not only did the release mark the start of Crosstown Rebel’s most acclaimed year, but it also kick started Fosky’s rise to prominence and also launched a fruitful partnership with Guti which even saw Fosky appearing on Guti’s stunning album, Patio de Juegos. His career took shape almost immediately as his early production, the divine “Shiva” gained the attention of Damian Lazarus, leading to an inclusion on the Crosstown Rebels founder’s Get Lost 4 mix and eventually a full EP alongside fellow South American Guti. The lure of electronic music soon beckoned though and by 2010, Fosky had landed in the musical melting pot of Berlin. His own creativeness was cultivated in his early stages of development and fostered itself in an initial career as a photographer. Brought up in a creative environment, he was immersed in culture from a young age, with particular exposure to traditional Argentinean Tango, contemporary visual art and avant- garde theatre. Killer productions for Crosstown Rebels, Desolat, Intec, VIVa MUSiC and Circus alongside standout DJ performances at Sonar and WMC propelled him from burgeoning apprentice to the real deal in just a couple of short, hedonistic years.įrom the outside his success comes as no surprise. DJ and producer Fosky evolved from rising talent to essential player on the modern house scene with both speed and personality.
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